hermoines:

it is sep 1st so basically happy halloween

43 minutes ago · 12,784 notes · Reblog
dewgonair:

lockrocksandcoke:

131-di:

veggiebaker:

therunscape:

Heart attacks symptoms are different for women. I recently learned this. 

Everyone should know these things.

thanks to mainstream media and being unable to show breasts on TV, way too few people know about female signs of cardiac distress, and impending heart attacks. they only know about the “pain in the left arm” male symptom.

i had all these symptoms once and they sent me right to hospital
it was scary bc i didnt know these were the symptoms for female heart issues

Please, please, PLEASE, reblog this. i don’t know if I did save or called false alarm, with my boss’ life tonight. I felt I was being a bit paranoid, overreacting, but I told Mirage my thoughts and he, after reading over the article I showed him, immediately sprung into action and then shooed her off to the hospital. I don’t know if I did or not, but I knew she’d been super stressed. She’d off-handedly commented on her arm tingling and I asked her if she felt queasy on a hunch. I went to look at the symptoms and we went from there.
high resolution →
43 minutes ago · 224,429 notes · Reblog
44 minutes ago · 955,472 notes · Reblog
gutsygumshoe:

My boss has a two year old son and this is in his bathroom I’m laughing so hard omg
high resolution →
45 minutes ago · 197,096 notes · Reblog
charlesdrawsthings:

evora-eriu-mclaggen:

x There. I was too weak to color it. Guess I just wanted to share it too much…

that is sick
45 minutes ago · 25,134 notes · Reblog
faitherinhicks:

greg-pak:

Gene Yang is one of my heroes. Read this, y’all.
weneeddiversebooks:

Read This: Gene Luen Yang’s rousing comics speech at the 2014 National Book Festival gala
From the Washington Post, article here.
GENE LUEN YANG, Library of Congress, Jefferson Building:
Good evening. Thank you, Library of Congress and National Book Festival, for inviting me to share the stage with such esteemed authors, and to speak with all of you. I am deeply grateful for this honor.
I’m a comic-book guy, so tonight I’d like to talk about another comic book guy. Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African-Americans working in American comics. Dwayne worked primarily within the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like “Justice League” and “Ben 10.”
Dwayne McDuffie
Dwayne McDuffie is no longer with us, unfortunately. He passed away in 2011, at the age of 49. But within comics, his influence is still deeply felt.
I was lucky enough to have met him once. About a year before his death, we were on a panel together at Comic-Con. I had the opportunity to shake his hand and tell him how much his work meant to me.
In a column Dwayne wrote in 1999, he talked about his love of the Black Panther, a Marvel Comics character. The Black Panther’s secret alias is T’Challa, the king of the fictional African nation of Wakanda. He has super senses, super strength, and super agility. He’s an Avenger, though he hasn’t yet made it into the movies.
The Black Panther wasn’t created by African American cartoonists. He was created in July of 1966 by two Jewish Americans, Stan Lee (who was born Stanley Lieber) and Jack Kirby (who was born Jacob Kurtzberg).
By modern standards, the Black Panther is not a flawless example of a black superhero. In their first draft of the character, Lee and Kirby called him “the Coal Tiger” and gave him a goofy yellow and black costume. Even in his final form, his superhero alias includes the word “Black.” This is true of many early African and African American superheroes, as if what makes them remarkable is neither their superpowers nor their heroism, but their ethnicity. Most problematic, though, was that Marvel made their most prominent black superhero the star of a series called Jungle Action.
All of these flaws were lost on Dwayne McDuffie when he first encountered the Black Panther in 1973, at the age of 11. What struck him was the character’s commanding sense of dignity. The Black Panther wasn’t anyone’s sidekick. He wasn’t an angry thug. He wasn’t a victim. He was his own hero, his own man. As Dwayne describes it, “In the space of 15 pages, black people moved from invisible to inevitable.”
Dwayne’s love of the Black Panther eventually blossomed into a love of comics in general. Dwayne was a smart guy with a lot of options in life. He’d earned a master’s degree in physics. But he chose to write comics as his career. I would argue that without the Black Panther, this flawed black character created by a writer and an artist who were not black, there would be no Dwayne McDuffie the comic book writer.
Dwayne wasn’t just a writer — he was also a businessman. In the early ’90s, he teamed with a group of writers and artists to found Milestone Media, the most prominent minority-owned comic book company that has ever existed. The Milestone universe have since been folded into DC Comics, so these days characters like Static Shock and Icon – characters Dwayne co-created – fight crime alongside Superman and Batman.
In the early ’90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called Xombi, published by Milestone Media. Xombi is a scientist who became a superhero after he was injected with nanotechnology. He allied himself with a secret order of superpowered nuns. One sister was known as Nun of the Above, another Nun the Less. Together, they protected the world from all kinds of supernatural threats.
Xombi was inventive and fun, but he stood out to me because he was an Asian American male carrying in his own monthly title. And even more notable – he didn’t know Kung Fu. Xombi wasn’t created by Asian Americans – his writer was white and his artist black – but he did make Asian Americans a little less invisible.
We in the book community are in the middle of a sustained conversation about diversity. We talk about our need for diverse books with diverse characters written by diverse writers. I wholeheartedly agree.
But I have noticed an undercurrent of fear in many of our discussions. We’re afraid of writing characters different from ourselves because we’re afraid of getting it wrong. We’re afraid of what the Internet might say.
This fear can be a good thing if it drives us to do our homework, to be meticulous in our cultural research. But this fear crosses the line when we become so intimidated that we quietly make choices against stepping out of our own identities. After all, our job as writers is to step out of ourselves, and to encourage our readers to do the same.
I told you the story of Dwayne McDuffie to encourage all of us to be generous with ourselves and with one another. The Black Panther, despite his flaws, was able to inspire a young African American reader to become a writer.
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it’s okay to get cultural details wrong in your first draft. It’s okay if stereotypes emerge. It just means that your experience is limited, that you’re human.
Just make sure you iron them out before the final draft. Make sure you do your homework. Make sure your early readers include people who are a part of the culture you’re writing about. Make sure your editor has the insider knowledge to help you out. If they don’t, consider hiring a freelance editor who does.
Also, it’s okay if stereotypes emerge in the first drafts of your colleagues. Correct them – definitely correct them – but do so in a spirit of generosity. Remember how soul-wrenching the act of writing is, how much courage it took for that writer to put words down on a page.
And let’s say you do your best. You put in all the effort you can. But then when your book comes out, the Internet gets angry. You slowly realize that, for once, the Internet might be right. You made a cultural misstep. If this happens, take comfort in the fact that even flawed characters can inspire. Apologize if necessary, resolve do better, and move on.
Let your fear drive you to do your homework. But no matter what, don’t ever let your fear stop you.



Gene is the best dude.
high resolution →
46 minutes ago · 399 notes · Reblog
49 minutes ago · 1,164 notes · Reblog

That’s not helpful.
51 minutes ago · 100 notes · Reblog
failedhellos:

mysteampunkheart:

lam681:

winmu:

scullylovesqueequeg:

tamtoee:

yeahmicah:

thegirlinthesea:

spookydatrump:

note-inthepages:

Accurate post is accurate.

Reminds me of the time a lady told me whip doesn’t melt. Or a guy yelled at me for not understanding him/hearing him because he kept talking on the phone

Lame

For those in retail.

I worked in a Lil Caesars and a woman came in and wanted a sausage pizza with no sausage, but got mad when she was given a cheese pizza.

So when I worked at fitting room in Old Navy, a woman told me that a medium top was too small, and that the large top was too large. So she asked me to find her an “x-medium”. Old Navy carries x-small, small, medium, large, x-large, 1x, 2x and 3x. There is no “x-medium”. But she insisted, so I went and found her an “x-medium” (which was just a medium in a different color but the same top, same make, same EVERYTHING) and she goes very happily, “THIS! THIS FITS ME PERFECTLY! THANK YOU SO MUCH! See, you can do anything you can set your mind to!”

I’m a waitress at a big fancy resort, and once a woman asked me for a diet water and when I told her there was no such thing she demanded to see my manager (who then also promptly told her there was no such thing and brought her regular water).Another occasion of stupidity occurred when a woman had been brought a steak cooked too much for her liking. I offered to take it back and bring her out a new one, cooked a little less, and she said “NO this one’s fine I just want you to cook THIS one a little less.” I then had to get the chef and have him explain why you can’t UNCOOK a steak.

When I was working at dunkin donuts there was this woman in the drive-thru who asked for a lightly toasted croissant and then started complaining that the croissant was warm. And wanted her money back, so she gave me the croissant back and I gave her the money and then she tells me “now i want my new croissant” she wanted a new one for free and as she was screaming at me this guy in a biker gang covered in tattoos leans over the counter in the store and yells “ma’am let me just tell you what we’re all thinking. fuck off, you stupid ****.” I couldn’t stop laughing and she drove away in anger.

Most of the people like in the stories above know that they’re being totally irrational, but also know that if they complain enough they’ll most likely get something free or discounted. So really most of the the nonsensical fucks are actually just cheap fucks with no shame or respect for people.

That last bit of commentary though.
51 minutes ago · 289,249 notes · Reblog

egberts:

wordsmythologic:

egberts:

im really pissed that palindrome isnt palindrome backwards

Ah, yes but emordnilap is a word!

An emornilap is any word that, when spelled backwards, produces another word. Examples of emordnilap pairs include:

  • desserts & stressed
  • drawer & reward
  • gateman & nametag
  • time & emit
  • laced & decal
  • regal & lager

And therefore “emordnilap palindrome” is an emordnilap palindrome.

Which I, for one, think is really frickin’ cool.

dude

54 minutes ago · 357,679 notes · Reblog